The Critical Antiquities Network (CAN) was established in 2020 to link scholars working at the intersection of ancient traditions and contemporary critical theories. Critical Antiquities (CA) is an approach with a recognisable history, insofar as critical theorists have long been working with ancient materials, for example Max Horkheimer, Theodor Adorno, Hannah Arendt, and Judith Butler, not to mention Marx and Nietzsche. In its first phase, CAN was a means for facilitating and platforming new work by leading scholars that examined and exemplified this approach.
Beginning in 2025, CAN has pivoted in the attempt to give a more definite shape to CA and so catalyse further field-defining work. That means, in the first instance, attempting to articulate more precisely what the CA approach is. As the current co-directors understand it, the idea of CA stems from a certain idea of critique; namely, the negation of inhibitive phenomena and the enactment of alternative lives in an emergent present. Critique so understood finds a powerful impetus in dialogue with the thought and practice of alternative worlds because they offer an alternate pole from which to grasp the present in its historical situation, both in terms of what ought to be transformed and for disclosing its immanent but alternative possibilities. Antiquities—all manner of them, certainly not just "Classical" ones—provide promising pathways for encountering such alterity, provided they are studied with the rigour of ongoing collective and reflexive scholarly practice. Only then may our modalities of critique be founded upon the expansive dialogues we enter into with the form and content of antiquities’ performances, literatures, and practices. This turn to antiquity is not a romantic one. Rather, antiquity simultaneously serves as a standpoint and object of critique to enliven us to the possibilities and limitations of contemporary life.
In the ambition to more definitely and precisely articulate CA, we do not wish to be restrictive. This relative narrowing of CAN is intended to be generative and enabling above all else, an invitation for people to think with and use a collective vision and thereby co-create it. One starting point for such collaboration is conversing with its antecedent interlocutors. To so do, please see the Publications page of this site. We invite input from anyone interested and invested in this work. Please familiarise yourself with our activities and contact the co-directors to get involved:
Tristan Bradshaw (University of Wollongong)
Ben Brown (University of Sydney)
Tom Geue (Australian National University)
Andy Poe (Australian Catholic University)
enquiries@criticalantiquities.org
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Tristan BradshawCo-Founder and Co-DirectorLecturer in Liberal Arts, University of WollongongTristan Bradshaw is a political theorist and classicist whose research is concerned with radical democratic theories and driven by the methods of Critical Antiquities. Since 2022, he has lectured on social and political thought in the School of Liberal Arts, University of Wollongong. Before that, he lectured at the University of Sydney, where he also enjoyed a year as Research Fellow in Classics and Ancient History and is now affiliated as an Honorary Associate. He earned his PhD from Northwestern University, Illinois, in 2021 with a dissertation on use and utility in Aristotle and Marx.
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Ben BrownCo-Founder and Co-DirectorSenior Lecturer in Classical and Ancient History, University of SydneyBen Brown is a historian of early Greek thought and literature. He studied with David Phillips and Edwin Judge at Macquarie University where he obtained his PhD. Ben has taught Greek and Roman language and history at Macquarie, ACU, UNSW before joining Classics and Ancient History at University of Sydney where he is Senior Lecturer in Classics. Ben is the author of The Mirror of Epic (2016) and is currently working on a monograph, Figures of Autonomy in Early Greece.
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Tom GeueCo-DirectorSenior Lecturer in Classics, Australian National UniversityTom Geue teaches Classical Studies at the Australian National University. His interests range from the mysteries of anonymous writing in the ancient world, including the books Author Unknown: The Power of Anonymity in Ancient Rome (2019) and Juvenal and the Poetics of Anonymity (2017), to Marxist criticism on classical Latin poetry, to the space shared between classical philology and socialist politics in the 20th century (Major Corrections: An Intellectual Biography of Sebastiano Timpanaro). His work has been recognised with the award of a Philip Leverhulme Prize (2021) and an Australian Research Council Future Fellowship (2023).
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Andy PoeCo-DirectorAssociate Professor of Social and Political Thought, Australian Catholic UniversityAndy Poe is a political theorist with research interests in democratic theory, continental philosophy, forms of protest, political violence, and law and society. He is the author, most recently, of Political Enthusiasm: Partisan Feeling and Democracy’s Enchantments (2022). His current research explores the philosophy of abolitionism, considering the example of police in democracies. In addition to his current work at Australian Catholic University, he has taught political theory at Amherst College, the University of California, and the University of Copenhagen. Andy has held visiting positions and research fellowships at the Institut für Sozialforschung and the Institut für Philosophie at the Goethe University Frankfurt, the Divinity School at Harvard University, the Center for 17th and 18th Century Studies at UCLA, and the Centre for Anthropological, Political, and Social Theory at the University of Copenhagen. Andy is also currently an affiliate of Classics and Ancient History at the University of Sydney.
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Michèle LowrieCouncil MemberAndrew W. Mellon Distinguished Service Professor in Classics and in the College, University of ChicagoMichèle Lowrie is the Andrew W. Mellon Distinguished Service Professor of Classics and the College at the University of Chicago. In addition to earlier books and edited volumes on Horace, Augustan Rome, Vergil reception, figures of thought, and exemplarity, she has more recently published Civil War and the Collapse of the Social Bond (Cambridge 2022) together with Barbara Vinken and is finalizing The Invention of Security in Early Imperial Rome, also for Cambridge. She has held numerous residential fellowships in Princeton, England, and Germany, received a Burkhardt Fellowship from the American Council of Learned Societies, a Loeb Classical Library Foundation Fellowship, and a grant from the National Endowment for the Humanities, and given the Gray Lectures at Cambridge.
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Dinesh WadiwelCouncil MemberAssociate Professor in Sociology and Criminology, University of SydneyDinesh Wadiwel is a political theorist and Associate Professor in human rights and socio-legal studies at University of Sydney. He is author of Animals and Capital (Edinburgh UP, 2023), The War against Animals (Brill, 2015) and is co-editor, with Matthew Chrulew of Foucault and Animals (Brill 2017). Dinesh was part of a team of researchers who produced two reports - in 2022 and 2023 - for the Royal Commission into Violence, Abuse, Neglect and Exploitation of People with Disability. He has a background working within civil society organisations, including in anti-poverty and disability rights roles.
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Cinzia ArruzzaCouncil MemberMaria Stata Professor of Classical Greek Studies at Boston UniversityCinzia Arruzza is the Maria Stata Professor of Classical Greek Studies at Boston University. Before joining Boston University, she taught at the New School for Social Research in NYC from 2010 to 2024. She also held visiting positions at her alma mater – University of Rome Tor Vergata –, at the University of Piemonte Orientale, and at the University of Rome La Sapienza. She has been the recipient of two Alexander von Humboldt Foundation fellowships, both at the University of Bonn. She has authored books in the history of ancient philosophy (A Wolf in the City. Tyranny and the Tyrant in Plato’s Republic, OUP 2018; Plotinus. Ennead II 5. On What is Potentially and What Actually, Parmenides Press 2015; Les Mésaventures de la théodicée. Plotin, Origène et Grégoire de Nysse, Brepols 2011) and in feminist theory (with Tithi Bhattacharya and Nancy Fraser, Feminism for the 99%. A Manifesto, Verso, 2019; with Lidia Cirillo, Storia delle storie del femminismo, Edizioni Alegre 2017; Dangerous Liaisons, Marriages and Divorces of Marxism and Feminism, The Merlin Press 2013). She is currently working on a new book manuscript titled Socrates’ Women. Virtue, the Soul and Sexual Difference in the Socratic Circle and Plato’s Dialogues (under contract with OUP) and a French translation with Introduction and Commentary of Plotinus’ Ennead III 6.
For more information, please contact us at enquiries@criticalantiquities.org.
Alternatively, contact the co-directors:
Tristan Bradshaw
tbradshaw@uow.edu.au
Ben Brown
benjamin.brown@sydney.edu.au
Tom Geue
tom.geue@anu.edu.au
Andy Poe
andrew.poe@acu.edu.au
Critical Antiquities YouTube Channel
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